
Syntactic Structures
I am fascinated with symbolism as it applies to the notion of visual metaphor. I am generally not concerned with ancient symbolism to be found in a depiction of say, Atalanta’s golden apples. While the morals that drive Atalanta’s sad fable are intriguing, I feel that the use of ancient symbols are often too arcane to use as contemporary references. My aim is to engage the modern viewer using a symbolism that can create more readily accessible narratives. It is interesting to note that the symbolism to which I aspire is often transient, depending greatly on context and syntax, rather than an emblematic meaning that has been prescribed to a given object.
At times, objects have been repeated in a number of pieces. This is largely done in the hope that the varying contexts from piece to piece will imbue it with distinctly different symbolism. For example, a figurative element that may be construed as heroic in one context might seem villainous in another. I feel that each piece offers a rather clear narrative that needs little help in its conveyance. However, despite this, I have been unable to resist adding titles that indicate my interpretation of each scenario. You will note that each title includes a parenthetical second title, which simply serves to inventory the major objects used in each piece. I have added this to remind the viewer that the symbolism lies not in the objects themselves, so much as in the combination and arrangement of these objects.
Background colors are generally modified from their observed state. This is done to create or enhance formal tensions that aid in the piece’s ability to engage and convey. This is largely an instinctive effort and is determined by a ponderous perusal of the image as it nears completion. My discovery of the figurines in this work has been a revelation to me. I have found it greatly satisfying to have a new subject matter that allows me to utilize my figurative skills, which to this point, had generally been reserved for academic practice throughout my professional career. This mode of work seems to offer limitless combinations and opportunities for expression of ideas. I look forward to continuing in this general direction for quite some time, already having a number of new pieces on the drawing board.
"Tip of the Spear/Still Life with 10 Toys," oil on panel, 2010
"Men Protecting Their Interests/Still Life with 7 Toys and Currency", oil on panel, 2011
"Jubilee/Still Life with 4 Toys", oil on panel, 2011
"Desire and Denial/Still Life with Toy and Photo," oil on panel, 2011
"Disillusion/Still Life with 7 Toys," oil on panel, 2011
"Venus/Still Life with Toy and Photo", oil on panel, 2011
"Adolescent Leap?Still Life with 2 Toy and Lead Ingots", oil on panel, 2010
"9/26/60, In Focus/Still Life with 3 Toys", oil on panel, 2011
"Shotgun/Still Life with 3 Toys", oil on panel, 2010
"Boating Party/Still Life with Toy and Photo", oil on panel, 2011
"Fat Man/Still Life with Toy and Photo", oil on panel, 2011
"Big Boy/Still Life with 2 Toys", oil on panel, 2011
"Men in Gray Flannel Suits/Still Life with 4 Toys", oil on panel, 2011
"9/26/60/Still Life with 3 Toys," oil on panel, 2010
"The Admiring Glance/Still Life with Toy and Statuette", oil on panel, 2012
"On a Festive Note/Still Life with Statuette and Paper Samples", oil on panel, 2010
"Missionary Position/Still Life with 4 Toys", oil on panel, 2010
"The Intimidating Gesture/Still Life with 2 Toys", oil on panel, 2010
"Shooting Victim/Still Life with 3 Toys", oil on panel, 2011
"Salome!/Still Life with Doll, Doll Head and Washer", oil on panel, 2010
"Adolescent Leap/Still Life with 2 Toys and Lead Ingots", oil on panel, 2011
"The Censors/Still Life with 3 Toys and Match", oil on panel, 2011
"The Hunter/Still Life with 2 Toys", oil on panel, 2011
"Forest for the Trees/Still Life with 2 Toys", oil on panel, 2010
"Actions and Words/Still Life with 3 Toys, oil on conjoined panels, 2009
The Good is Oft Interred.../Still Life with 3 Toys", oil on conjoined panels, 2008
"Tool Use Comes Full Circle/Still Life with Toy and Hard Drive", oil on conjoined panels, 2010
"Flight/Still Life with Trophy Topper and Toy Gun", oil on conjoined panels, 2009
"Cross Purposes/Still Life with 2 Toys", oil on conjoined panels, 2009
"The Deadly Blow/Still Life with 3 Dolls", oil on conjoined canvas and panel, 14 3/4" x 5", 2009
"Ant Detente/Still Life with 2 Toys", oil on conjoined panels, 2008
"The Manly Scent/Still Life with Cologne Bottle, Bud Vase and Zinnia", oil on conjoined panels, 2009
"Lost Leverage", oil on conjoined panels, 11 7/8" x 10 5/8", 2008
"Fickle Victory/Still Life with 2 Toys and Trophy Topper", oil on conjoined panels, 2009
"Svengali/Still Life with 2 Dolls and Magnet," oil on conjoined panels, 2009
"From Jamestown to Georgetown?Still Life with 4 Toys," oil on conjoined panels, 2009
"Stick Up/Still Life with Toy and Trophy Topper", oil on conjoined panels, 2009
"Taking Measure of Evolution/Still Life with Twine and Measuring Tape," oil on conjoined panels, 2009
"Charisma/Still Life with Magnet and Chain", oil on conjoined panels, 2009
"Time Always Tells/Still Life with 3 Spikes", oil on panel, 2009
"Bard/Still Life with Porcelain and Wood", oil on panel, 2008
"Strawberries in Syrup/Still Life with Glass, Metal and Fruit," oil on panel, 2009
"Bugle/Still Life with Brass and Steel," oil on panel, 2007
"Spotted Octopus/Still Life with Latex, Dye and Paint", oil on panel, 2008
"Fallen Soldier," oil on panel, 2007, 10 1/2" x 7"
"Antenna Flag/Still Life with Acetate and Dye", oil on panel, 2007
"Brownie Camera," oil on panel, 2008, 12"x9"
"Cow Toy," oil on panel, 2009, 12"x9"